The Compressor section provides Tube, Vintage, and Standard models, each with its own collection of controls. Then there's an Envelope Shaper with - as you'd expect - Attack and Release knobs, along with Length and Output controls. There's also a Saturation section, offering Tube and Tape modes, both of which give you control over drive, output and low- / high-pass filtering. The Noise Gate comes first, with its Threshold, Attack, Release, Freq and Q controls - just enough to do the job in a hurry. You can arrange them in any order you like some offer variations on a theme, while others do one job. In fact, we prefer accessing it this way as it gives a better overview than the narrow vertical display in the MixConsole, enabling you to see all its five sections at once without scrolling. The new Channel Strip isn't just an element of the MixConsole but is also available when viewing the Channel Settings window. Old tools like in-line EQ curves and large meters are still available. You can show (and grow) only the fader sections, for instance, or toggle a notepad for each channel, channel overview and more. The Visibility/Zones column enables you to decide not just which channels you want to see but in what order they should be arranged. The new MixConsole is entirely configurable and can be expanded to fill your entire screen. However, for the most part, the size of all of these elements wasn't adjustable. You could collapse the bits you didn't want to see, toggle showing inserts, EQs, sends, etc, and you could have three different mixers available at any time.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |